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Jethro TullWhen The Jethro Tull Christmas Album (Fuel, 2003) appeared in the record racks, my first thought was, it's about time! Over the preceding 30-plus years - during which the band had established themselves as one of England's premier progressive rock bands - Jethro Tull had recorded no less than three Christmas songs. That may not sound impressive, but during the same time frame, most rockers (progressive or otherwise) recorded absolutely none. During the 60's and 70's, you see, Christmas music was decidedly out-of-fashion, especially for "serious" musicians like Jethro Tull. For every Keith Emerson ("I Believe In Father Christmas") or Argent ("Christmas For The Free"), there were dozens of bands that avoided the Yule like the plague. Imagine "A King Crimson Christmas," and you'll see what I mean.

My point is, The Jethro Tull Christmas Album was never that unlikely, and, now realized, it sounds perfectly natural alongside their other music. The group's affinity for Christmas music probably arose from their affinity for folk music. Tull and their front man - singer, writer, and flautist Ian Anderson - always had more in common with progressive English folk bands like Steeleye Span or Fairport Convention than with spacey rockers like Yes or Pink Floyd. And, since so many Christmas songs have their roots in English folk music (think "What Child Is This" or "God Rest Ye Merry Gentlemen"), the leap into actual Christmas music was no doubt an easy one for Anderson and his band.

Jethro TullHey Santa, Pass Us That Bottle

Anyway, "A Christmas Song" (1968) was the first Tull holiday ode, a quiet, acoustic song recorded during the sessions for This Was, the group's very first album. Typical of Ian Anderson's early work, "Christmas Song" is dour - in this case a reminder (in Anderson's own words) that Christmas is not an excuse to party.

"Christmas spirit is not what you drink," Anderson scolds, wryly concluding with the deathless line, "Hey Santa, pass us that bottle, will ya?" Originally, "Christmas Song" served as the b-side for a non-LP single, "Love Story" (#29 UK, 1968). The song was later collected on Living In The Past (1972) and served as the b-side for the popular American reissue of the 1969 title track. Much later it was collected on The Best Of Jethro Tull: The Anniversary Collection (1993), and in 2001, it was appropriately added to Fuel's CD reissue of This Was.

"Ring Out Solstice Bells" was released as an EP in 1976 and then included on Songs From The Wood in 1977. Not surprisingly, it's way more fun than "A Christmas Song." First, it engenders a more celebratory air - even if it's celebrating a pagan winter ritual ("Seven druids dance," Anderson observes) rather than Christmas proper. Moreover, it sounds like the Jethro Tull of "Aqualung" and "Locomotive Breath" - sonically heavy and rhythmically complex (the druids dance "in seven time"). The EP reached #28 in England.

Jethro TullYet Another Christmas Song

Much later, Anderson penned a sequel, "Another Christmas Song," for Rock Island (1989). "How many wars you fighting out there, this winter's morning?" he asks. "Maybe it's always time for another Christmas song." Like Tull's other music of the period, "Another Christmas Song" is rather overproduced and laden with synthesizers - rather typical for the period - and Anderson sounds dispirited as he struggles with looming age and isolation.

So, with three Christmas songs in the bag and nearly four decades under their belt, Ian Anderson and Jethro Tull finally recorded a full Christmas Album in 2013. They started with new versions of those old songs, then they borrowed marginally seasonal tracks from Songs From The Wood ("Fire At Midnight"), Heavy Horses ("Weathercock"), Broadsword And The Beast ("Jack Frost And The Hooded Crow"), and Stand Up ("Bourée"). None of those tracks are really Christmas songs, nor is "Pavane," a Gabriel Fauré piece adapted by Anderson. And if we toss out the handful of traditional songs performed as instrumentals (most successfully on "Holly Herald," adapted from "The Holly and The Ivy" and "Hark! The Herald Angels Sing"), we're left with just three new Anderson songs plus Martin Barre's meandering instrumental, "A Winter Snowscape."

"Birthday Card At Christmas" is a rousing album opener reminiscent of "Fat Man" (from Aqualung), and is the only real keeper from Christmas Album. Melodically, however, it never delivers a knock-out punch, and Anderson's lyrics are pointlessly cynical. "I am the shadow in your Christmas," he sings, and he's just getting started. In that respect, the recycled "Jack Frost" is marginally better, shedding cynicism for moralism. "Why not spare a thought for those who have no flame to warm their bones at Christmas time," asks a smug Anderson. Otherwise, "The Lord may find you wanting, let your good fortune disappear." And reduce the surplus population, I might add.

Jethro TullPigs Gone To Clover

"Last Man At The Party" is almost as condescending, obliquely revisiting the virtuous theme Anderson first proposed in "Christmas Song" so many years ago. This time, however, Anderson joins our ill-advised revelry, condemning us while matching us drink-for-drink. As the bacchanal disperses ("pigs gone to clover," he calls us), Anderson requests, "Will the last man at the party wish me a happy New Year?" Um, okay....

Over the years, these three songs were released on an assortment of singles and EP's - some of them strictly promotional, all of them very rare. Be aware, however, that the original recordings show up with regularity on the myriad European Christmas compilations released every year (such as The Best Christmas Album In The World... Ever) - but not, I should note, American albums of the same stripe. Regardless, Anderson conveniently chose to record all three songs again for his Christmas Album, and most Tull enthusiasts will appreciate not having to hunt down the rarities in dusty record racks - or having to fork over large wads of cash when their hunt is successful.

That said, the Jethro Tull that recorded Christmas Album isn't the same band that waxed Thick As A Brick some thirty years prior. Other than Anderson, the only player on Christmas Album who recorded with Tull during their heyday is guitarist Martin Barre - though these two musicians have always been the defining presence in the band. And as Anderson candidly explains in his liner notes, large chunks of the album were recorded separately by band members spread around the globe, then pieced together digitally. The resulting sound is, not surprisingly, rather sterile, inorganic, too clean - lacking the sort of messy warmth that comes from having five guys playing together in the same room.

Jethro TullA Large But Dwindling Crowd

Beyond that, however, Christmas Album is vintage Jethro Tull - sounding more "authentic" than any Tull album in recent memory. Which is to say, it sounds like some of the group's most popular work - particularly acoustic, folk-leaning songs like "Skating Away On The Thin Ice Of A New Day." (Speaking of which, does anybody besides me think "Skating Away" would have been a better candidate for The Christmas Album than, say, "Fire At Midnight" or "Weathercock"? Just asking....)

Anyway, Jethro Tull fans - a large but dwindling crowd - will will be thrilled with Christmas Album. Everybody else? Not so much. Ian Anderson always possessed a singular vision for his band, and he has driven them doggedly in pursuit of it. Love it or hate it, Jethro Tull's music is inarguably unique. But, it's a foregone conclusion that The Jethro Tull Christmas Album was recorded strictly for the faithful.

Anderson almost redeems himself with "Last Snow In Brooklyn," finally personalizing the vagaries of the holiday. The song tells the withering tale of a man at odds with his emotions. Flying all the way to New York to confront his lover, he leaves without seeing her face. "The snow covers my footprints," he observes, concluding "When you wake you'll never see the spot that I was standing on." Sadly, the song is a formless ballad, providing little place to hang Anderson's poignant story.

Jethro TullSo, Where Does That Leave Us?

Mostly, that leaves us with those three original songs from Tull's salad days. All are significant, at least to holiday music buffs like me. Jethro Tull, after all, were one of the biggest hard rock bands of the "classic rock" period, and only a few of those bands (most of them English) recorded Christmas songs at all. But, while I generally insist on original versions in cases like this, I will concede that "Another Christmas Song" benefits greatly from the relatively understated production on Christmas Album.

So while I can't really recommend it, The Jethro Tull Christmas Album is most assuredly a singular recording. No other Christmas album sounds quite like it, just as no other band sounds quite like Jethro Tull with their potent, patently English mix of folk, blues, jazz, and heavy metal. Christmas Album, by the way, has been issued twice - in it's original format and in a limited edition (2004) with a bonus DVD.

Postscript

Much later, Jethro Tull recorded new versions of "A Christmas Song" and "Ring Out, Solstice Bells" for their 2017 String Quartets album.

And then, more than 20 years after the fact, Tull dropped the big one with a massive, four-disc (plus DVD) reissue called The Jethro Tull Christmas Album: Fresh Snow At Christmas. The discs include the entire album in both its original mix and a new 2024 remix, and then live performances from 2006 and 2008. The DVD is pretty much the whole thing all over again, but in high resolution audio. They also released a double-LP vinyl edition with just the 2024 remix. [top of page]

Albums Albums

SongsEssential Songs

  • Another Christmas Song (1989)
  • Birthday Card At Christmas (2003)
  • A Christmas Song (1968)
  • Ring Out Solstice Bells (1976)

Further ListeningFurther Listening

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